Schrodinger’s Slush

A little while back, two of my VP classmates blogged about different aspects of short story submissions: Nicole wrote about when you should trunk a story following a few rounds of submissions and rejections, and Fran wrote about how a story is neither alive nor dead following submission – a Schrodinger’s story.

To complete the trifecta, I decided to address what it’s like to be the slush reader on the other side of the black hole – the poison to your story’s cat.

I’ve been slushing for the awesome dark SF magazine, Apex, since January. While that isn’t too long in the grand scheme of things, I’ve settled into a rhythm with it, so I’m more comfortable talking about what goes through my head when I’m reading a story.

Before I started slushing, I practiced rejectomancy – obsessing over the content of the rejection letter, checking response times on Duotrope and reading into what it meant if my story was being held longer or if I got the rejection faster than average. It’s understandable, doing this. You feel like if you can just tease out some meaning from the whole process, it’ll help you become a better writer, like drawing a critique from a stone.

After I started slushing, I realized the timing of a rejection means nothing. A lot of things dictate when I read slush. I’ve got my own writing I need to carve out time for. I’m in a band. I’m in a book club. I try to get to slushing as soon as I can, but sometimes life gets in the way. Duotrope says a bunch of form rejections went out in three days last week and yours has been out for seven? Maybe I really liked it and I’m chewing it over for a few days. Maybe I sent it up to the editor. Or maybe I was in Texas all week for a work meeting and was strong-armed into playing back-to-back games of drunken laser tag. Like I said: timing means nothing.

When I send out a form rejection, it means one of two things: it’s not a good fit for the magazine, or the story isn’t quite there yet. For the former, Apex is a dark SF magazine. Your story could be brilliant, but if it doesn’t have a dark element, I’m not passing it up. For the latter, there are a lot of reasons why a story doesn’t work.

Here are a few of the reasons I’ll pass on a story:

I get bored. This is a big one. When I get bored, I start skimming. Never once have I passed up a submission that made me start skimming. Does it take two or three pages for me to find out what your story’s about? Do the characters spend the first half of the story making oblique references to something really important, but I’m left completely in the dark about it? Is there no plot? No conflict? No choices? Is the main character just wandering from scene to scene with nothing driving them? If I can’t figure out why to care about what’s happening, I’m done.

The stories I pass up grab me early and hold on to me right through to the end. There’s believable characterization in the face of some kind of conflict. The characters make decisions that have consequences that lead up to

The end. There have been more than a few stories that I was thoroughly enjoying right up until the cutesy ending. I’m not a big fan of Twilight Zone-style twists. They’re predictable. That’s not to say I don’t like twists. If it’s done properly, being built up in the background in such a subtle way that when I get to the end, the entire story rewrites itself in my head – that’s fucking brilliant. But cutesy moral messages? Abrupt endings with no bearing on what happened in the story? Everyone lives happily ever after and walks away unscathed? Not so much.

The stories I pass up end in ways that leave me wrung out while still being inevitable. They add something to the story rather than just “The End.” Endings are messy, painful things. They change us. Or at least they should.

Which brings me to

Cliches. Has your story been written a hundred times over? Is it about vampires or zombies or werewolves or Nazis or serial killers? These things aren’t inherently bad, but they’ve been done in so many different ways, it’s hard to write something with a new spin.  I won’t immediately stop reading the story if it’s about one of these things. I will stop reading if it’s the same story I’ve already heard a thousand times.

But that’s the wonderful thing about writing. Give ten people the same story prompt and you’ll get ten completely different stories, because everyone has their own pool of experiences to pull from. You’ll get a zombie love story, a mad scientist tale, a Barker-style splatterpunk romp, or a quiet meditation on what it means to be alive. It is still possible to write a zombie story that’s unlike anything else, because you can write the zombie story that only you can write. If you let yourself.

But, please. No cannibals. I thought it was a bit of a joke when I started, but I soon found out it wasn’t. ::shudders::

Speaking of cannibals, there’s also the matter of

Taste. This is the most nebulous factor. I’ve passed up stories that weren’t personally my cup of tea but they were well-executed. I’ve passed up stories that were flawed but they pushed all of my buttons. I try to be a bit dispassionate about this aspect of it. My squicks and squees have been developed over a lifetime of good and bad experiences. I don’t like elements like frustration, chronic misunderstandings and ineffective communication in stories. But I love stories told from villain POVs, things with lots of (accurate) science, deep character studies, moments of surreal oddity. I’m aware of my buttons. If they’re pushed, great – I will love your story that much more. If they’re not, it’s not the end of the world.

I’ve been writing for long enough that I understand the elements that make up a good story. Taste is not an automatic deal-breaker if I can see what you’re going for.

But the biggest deal-breaker is

Bad mechanics. Are there a lot of typos in your story? Lots of semi-colons used incorrectly? Not sure how to use a comma? These are things that should be worked out before the story lands in my inbox.

Another unexpected factor has actually been

The cover letter. Now, most cover letters don’t make much of an impression on me. Name, contact info, story title, word count, and a short list of salient publications. Cool. Awesome. No problems there. We’re good.

But is it filled with typos? Run on sentences? Did you list all of the articles you wrote for you college newspaper? Did you address it to the wrong magazine? There have been a few cover letters that made me a bit excited to open a story (like publication credits in magazines I adore). But that’s really rare. Mostly, the only thing cover letters can do is make me skeptical.

* * *

So what can be done in increase your odds of having a story make it out of the slush? Come out of the gate punching, with characters that like doing the punching, and that spin down to an inevitable and satisfying ending. Hopefully the road the character takes is paved with your passions (and not littered with typos and bad grammar). Maybe it’ll push my buttons. Maybe it won’t. But that doesn’t matter. What matters is the overall taste of the editor, and you can figure that out by reading the magazine.

Writing short fiction is hard. It’s insanely competitive, and the amount of work and pain and rejection involved in breaking in seems disproportionate to the effort. My best advice is, if you think there’s a problem with your story before you send it out, and you hope no one will notice, you’re wrong. It will be noticed. Write stories that push your buttons, and push them hard. And if you really just want to write novels, write novels. There’s no reason to suffer by doing something you don’t like. Choosing to write short fiction isn’t just writing practice, it’s an entirely different form.

But that’s a whole other blog post.

Go forth and be awesome.

Posted in Slushing, Writing | 9 Comments

A diagnosis and a diatribe

That earworm has been persistent and I’ve been preoccupied with trying to figure out why this, and why now.

And I think I figured it out.

It’s because I think i saw something important in that song. It’s still pretty fucking ineffable, but the talk of one hit wonders when I was digging into the story behind the song itself and interviews with the artist, and listening to other songs of his, I found the pattern I was looking for.

Some things can only happen once: those perfect moments where you feel the most like yourself. It’s the perfect concordance of all of the things -emotions, memories, desires – that make you happy. A preponderance of squee.

It’s so rare to see something like that, something important. Most times we look because other people tell us it should be important to us. Sometimes we look because that’s what we tell ourselves.

There was a moment a few years ago for me like this. I was struggling with where I was going to go next, what I was going to do because science had become lost for me, an I was lost for it. I was at a show at a bar with some friends, and I saw something important that night in one of the musicians in one of the bands. I saw a perfect union.

You don’t see that often. Most times people give up before they can become great. Other times the ambition outweighs the heart, and they never grow into it properly. Seeing someone so perfectly suited to being exactly where they were are in those moments – that’s important to me.

Because that’s all I’ve ever wanted to be. To feel like everything that came before was leading up to that moment. And because that’s how i can believe it might be true for me one day too.

Go do something important.

Make me sick with envy.

Posted in Errata | Leave a comment

Analysis of an Earworm*

I’ve got an earworm.

(now and then I think of when we were together)

I should start off by saying that there are always these fugue-like periods I go through when I’m in the initial stages of obsession over something. Like I can feel my brain rewiring. I can’t stop looking at a picture. Or listening to a song on a loop for three straight hours. Ahem.

(like when you said you felt so happy you could die)

I don’t know why this is. It might be some deranged mix of emotions that approximates the feeling of being in love. Whatever it is, I’m infatuated with it because it usually precedes a period of strong desire, where I’m filled with a nebulous excitement, like I’ve found one of those rare hidden corners of myself.

(and it’s an ache I still remember)

It’s not an accident why it always seems to happen when I’m a liminal point in my life, drifting listless and bored from thing to thing, be it old or new. I know my brain’s in search mode for something I can latch onto.

(you can get addicted to a certain kind of sadness)

I used to correlate it with ambition, since those liminal states are full of thoughts about the future. When I interviewed Amanda Palmer, I asked her about if dreaming of the future stopped when you’ve finally lived up to the dream you’ve had all your life. I asked that because I didn’t want to lose that. It drives me forward like nothing else. If it were ever to go away, I wouldn’t feel like myself anymore. What she said gave me some comfort.

(but I don’t want to live that way)

I don’t know why it was this song. Maybe it’s the break up I’m still thinking about, the fact that the silence of it numbed me against the unvoiced screams beneath it. Maybe it’s because that numbness has spread into other parts of my life. Maybe it’s because I just want to ache and to scream and to cry about it still, but I just can’t. It’s still too deep.

(but I’ll admit that I was glad it was over)

It’s quiet here this morning, better to forget about the rest of the world with. I’m beginning to move around again and ignore the pain in my back so it can finish getting better. I walked to get some coffee, thing song playing on a loop. I sat outside the cafe, alone, surrounded by people, listening to this song, drowning out the traffic with the negative space of the verses. A quiet that could smother the scream of the city.

(now you’re just somebody that I used to know)

*I’ve also realized I’m really fond of writing blog post titles like scientific powerpoint slides. When I’m shamelessly stealing song lyrics. Which I did for the blog post already.

Posted in Errata, Music | 1 Comment

On Pre-Existing Conditions and the Zombie Apocalypse

I’ve been working from home the past two days, lying on the living room floor because of a lower back injury I got when I was sixteen.

I was at crew practice when it happened. I was on a rowing machine, coming into the last stretch of a 1500m sprint, and I had a really good split going, so I was pulling my heart out in the last leg. When rowing, you always go “knees, back, arms,” not only because it’s more efficient, but also because you can really hurt yourself if you don’t. In my excitement, I momentarily lost coordination and went, “back, knees, arms” and ripped the muscles in my lower back. I didn’t finish the sprint. I could barely unhook my feet from the stirrups, the pain was so shocking. I couldn’t walk for about a week, and I couldn’t walk right for another week or two after that.

Lower back injuries are awful. They never really heal right. It’s one of the few types of injuries where homeopathic remedies are the only options. Ice and heat. Ibuprofin for the swelling. Regular massages to break up the scar tissue. Despite these things, my back would go out at least once a year, and I’d be out of commission while the scars reknit themselves. The only thing that’s helped in the long term is yoga – building up the rest of the core muscles and stretching my too-tight hamstrings so there’s less strain on the fragile scars that hold me upright.

It’s strange to be 17 with debilitating back pain. It’s strange to be 23. 25. Asking friends to help you get up off the floor to go to the bathroom.

One of the important lessons you learn from an injury like this is that you can’t curl up with it, no matter how uncomfortable it is. You can only indulge the pain for two days, nesting on the living room floor with everything you might need within arms reach, before you have to suck it up and start moving around again.

So this morning I hobbled over to the coffee shop a block from my apartment to get some coffee. I walked past an 80-something year old woman with a walker. We were walking with the same short, shuffling steps.

That, along with a conversation I had this morning with some of my VPeeps on twitter got me thinking about pre-existing conditions and the zombie apocalypse. As an intellectual exercise, preparing for the zombie apocalypse is one of my favorites. What you would take, where you would go. They’re ways to explore those dark places of your heart. We all want to pretend to be noble, to promise our friends we’ll shoot them when their time comes. That they’ll promise to shoot you.

But would you really? There’s a moment in the thoroughly mediocre 2004 version of Dawn of the Dead where a character is waiting to have his head blown off before he changes, and he keeps asking the shooter to wait because he wants “every… single… second…” It rang out as true for me. I’d talk big before, but when the moment came, I’d want every last second.

I have asthma. And a bad back. They’re two things I try not to think about when having these arguments with friends. Because they’re one of the few times I get to pretend I’m unaffected. That I wouldn’t have to worry about making it in and out of a zombie-infested pharmacy to steal medication so I can breathe, where I can run away from a horde without blacking out from lack of oxygen. Without being able to worry if I pushed myself a little too hard in case my back goes out and resets any progress I’ve made. I want to be able to make it to the end of the game. Because I see that woman shuffling by and see a bit of my future. It’s only a matter of time. There’s only so much albuterol to go around.

I’m a guaranteed casualty in the zombie apocalypse. If the zombies don’t get me right away, the dwindling supply of medication or a tweaked back would eventually do me in. I don’t get to answer the question, “What’s your plan for survival?” Instead, I’m forced to face an entirely different question: “How would you die?” Would I throw myself to the horde to buy my more able-bodied companions more time? Would I try to take as many down as I could before the end? Would I be able to do myself in if necessary? Would I even join up with a group of survivors, knowing I would be an impediment? Or would I steal as much medication as I could, some to extend my life, others to end it quickly, and find a place to nest with everything I need within arms reach, hoping for the problem to take care of itself?

I don’t know the answers to these questions.

But I see that old woman, shuffling past me on the street, and I stand up a little straighter, wincing at the pain, knowing I’ll be back on my feet by Sunday, and I ache to instead be the kind of person who has a survival plan.

In the meantime, I’ll dream about going back to yoga when my back’s better and pull my inhaler in a little closer.

Posted in Errata | 1 Comment

How to Make How to Make a Triffid

For those of you following me on Twitter, this is old news, but on Thursday afternoon the artwork for my upcoming Tor.com story went live on Facebook, and I’m totally and completely in love with it.

Who is that handsome mad man?

The illustration is by the insanely talented Wesley Allsbrook.

It’s surreal to see a piece of art inspired by something that only lived inside my head for such a long time. I was in a haze for days after I sold this story. I kept thinking someone was going to tell me that some mistake had been made, so I was cautious with my excitement. This tempered excitement, and disbelief that it wasn’t really going to independently exist in the world, persisted through the intervening months. Right up until I opened up Facebook on Thursday and found my characters staring back at me.

It feels real now. I mean, there’s my name above a perfectly rendered portrayal of the central theme of the story. Fucking surreal.

I’m excited.

But I’m also terrified. The circumstances around this story’s sale still make me uncomfortable to talk about, because I’m still grappling with the cognitive dissonance from it.

It’s because this story still feels like an aberration for me – born of pain and frustration and grief, the first draft came spilling out into the world as a rant in which I tried to stave off a complete emotional breakdown caused by the ripple effects of a tragedy that echoed at the same resonant frequency of a sadness I had been trying to ignore.

::takes a breath::

I don’t tend to write when I’m that wound up. I tend to shut down. Cry. Watch comfort movies and not to talk to anyone. There’s a reason for it. Raw emotion comes out in a language as jumbled as the thoughts I struggle to understand by writing them down. It took a countless number of drafts to get the story from that initial deluge into what it is now. I thought about it constantly because I knew it had the potential to be a good story. So I began to send it out.

And it got rejected.

So I tore it apart. Added a second character. I put it back together.

And it got rejected.

I tore it apart again. Added an emotional arc for the second character. I put it back together.

And it got rejected.

I tore it apart again. I reframed it as a tryptic to better explore the themes. I put it back together.

And it got rejected.

I wash, rinsed and repeated for four years.

I had to become a better writer to understand how to get the story to work, so I became a better writer with the help of a number of people along the way (this is where I include a shout-out to Erin Stocks, because without her, I might have given up on this one).

I’m terrified not because I don’t think this story has legs, but because I worry about being able to do it again. The stories I’ve written since are all less substantial. I understand that all of them (with the exception of the novel) have been living in my head for a significantly shorter period of time.

But I’m working on it. I learned so much from writing How to Make a Triffid, that I’m now experimenting with how to best approach nascent stories to imbue them with the same depth of emotion I poured into this one.

Today I’m finishing the first draft of new story I started last week. And working on a second draft of another new story. And then fixing some problems with a story that’s already been rejected a few times.

All I can hope is one day these new stories can be as real and true as How to Make a Triffid now is.

I can do this.

Eventually.

Posted in Writing | 4 Comments

Solarbabies Don’t Sparkle When the Sun Comes Out

Holy crap, I just finished watching Solarbabies.

If you’re not familiar with the movie, it’s a post-apocalyptic Mad Max-type world where water is scarce and orphans get around on rollerskates. One day, after a particularly brutal skateball game against the Cobra Kai, no, I mean The Scorpions, the Solarbaby Roller Skating Lacrosse Team for Good find a magical orb (you can aso read that as God) that eventually leads them to a giant dam that blocked ALL OF THE WATER ON EARTH from reaching humanity. It breaks the dam. Feel-good 80′s music ensues.

It is by no means a good movie.

But it’s also a collection of EVERY SINGLE 80′s MOVIE EVER MADE.

My God.

In other news, I’ve been back in San Diego for the past week after a trip up to the Rainforest Writer’s Village. I meant to blog right after I got back, but I needed time to recuperate. For a good two days after I got back, I didn’t even want to look at a keyboard.

Rainforest was a blur of socializing and typing. I met a lot of new amazing folks that I hope I can see a lot more of this year, not to mention I got a chance to fall into cuddle puddles with fellow VPXVers Nicole, Tucker and Amanda for four whole days. (I still want to dognap Nicole’s dog, even though he liked to hug me with his teeth). We were on a boat! We roadtripped! We stopped in Forks for booze (and to take turns reading from the Twilight Attractions brochure Nicole grabbed from the Forks Visitor’s Center)! We were hypnotized by a waterfall! And oh, my was Lake Quinault beautiful:

Fuck me, I loved it there

Since my current writing breaks are structured around cigarettes, you can imagine the extra delight I took in smoking that week. This view was my reward, more so than the nicotine was.

I’ve never written so much in such a short period of time in my entire life. Not even when I was trying to write my entire thesis proposal in one weekend (and that was over 13,000 words). I wrote 25,000 words in three days. More importantly, I finally finished the novel.

I started this draft back in November for NaNo, and I’d meant to have it finished by the New Year. That turned into the end of January. February. By the time the retreat started. It didn’t happen. So I promised myself I would finish the book by the time the retreat was over. I was dreading the sprint. I sprinted all of November and couldn’t bring myself to write regularly for most of the last three months. But being around other writers, talking about story and books and process… it almost felt like going to VP again. I say almost because nothing will be like VP was. VP means a lot to me.

What Rainforest did feel like was World Fantasy – another step into a community I wanted to be a part of for so long, and every step feels like a homecoming. That was impetus enough for me to keep my promise to finish the book by the end of the retreat.

Are there problems with it? Oh yes. Are they fixable? In time. Am I pretty sure I’ve made more work for myself by sprint-writing nearly 75% of the book? Also yes.

But damn it feels good. Four years of sitting in my head, waiting to be written. Two drafts, the first incomplete at 80,000 words, and now a second first draft finished at a hair over 100,000. I was so proud of myself for keeping that promise that I printed the whole thing out, just so I could look at it.

400 pages (Gir added for scale)

This is why I left grad school. This. Because after three days of long days and hard effort, I have something tangible to show for it. Best of all: it’s heavy.

Even though I couldn’t stand to open Scrivener anytime before Wednesday, I had started a short story that’s been kicking around in my head for a few months now at the end of Rainforest. After eight hours of steady picking, I finished it earlier tonight. I don’t want to jinx it, but I’m feeling some of that same energy I had coming out of October. That means I’m hoping to get two short story revisions done by the end of the month before I sit down to start working on the novel revisions.

Because this post was generally about things that are awesome, I will leave you all with this picture of Batman riding a unicorn.

They both believe Pluto is still a planet

 

Posted in Errata, Rainforest, Viable Paradise, Writing | 2 Comments

The difference between shooting stars and satellites

What a strange week.

It’s hard to put into words what all of the strange parallels and bursts of nostalgia did to me in the half-fevered state I was in between Thursday and Thursday.

It was Los Angeles that did me in. I didn’t have a chance.

In grad school, I used to make the two hour drive to LA nearly every weekend because I needed to be somewhere that wasn’t San Diego, and I needed to be someone that wasn’t the person I was in grad school.

I very rarely planned my trips up there beforehand. It was almost always born of impulse – to flee something that was chewing me up inside. More often than not, I’d just be sitting on the couch, watching TV, and I’d suddenly feel like I was suffocating. I would grab a notebook (and sometimes my guitar) and just go. It made me feel lighter. It made the itch go away.

Driving made me feel blessedly empty, so I got lost a lot. I found spots along curving mountain roads where I could see the ocean, so I would sit on my trunk and smoke cigarettes and stare. I found pull outs on those same roads where I could curl up as best I could in the backseat of my tiny car to sleep. I read in coffeeshops. I talked to strangers. I made friends.

Then I burned all of it down and stopped going.

I’d been back a few times since, usually to go to a show, but I never went back to places I was prone to haunting before.

But sitting on the shuttle bus coming back from a company function, I began to point out places I knew to the woman in the seat beside me. What I didn’t tell her was about the memories flooding up as the blocks stole past: the diner where two hairstylists tried to pick me up. The Jamba Juice where I once sat for hours, nursing a smoothie, because that’s all the money I had could afford. The Best Buy lobby where I met someone asked me to be his valentine. The streets I would drive on for hours listening to a combination of B52′s, Death Cab for Cutie and Oingo Boingo. The coffeeshop where I would sit outside and read The Picture of Dorian Grey and House of Leaves and American Gods.

So when the meeting let out on Wednesday, I grabbed my box lunch, threw all of my germ-laden crap in the trunk and drove to the mountains. I found the same hidden spot where years ago I would sit and smoke cigarettes and stare at the ocean. I sat on my trunk and ate my lunch. I drove to the Valley and went to the bar where I sang karaoke for the first time and a stranger told me I had a nice voice and shouldn’t be shy about it. A bar where a make up artist told me I had a good face for make up, then proceeded to do a spot on impersonation of John Lennon. Where Pauli gave me unsolicited writing advice. Where I got to hang out with someone I am proud I can still consider a friend, who snuck me onto the Universal Studio backlot and give me a tour of my childhood memories. Where the bartenders and bouncers and regulars all knew me, at the end.

I sat down at the bar and ordered a hot toddy. No one recognized me.

It was strange to think about the two Kelly’s driving around LA that day. It made me immeasurably sad. Maybe it’s because I can’t get those moments back. Maybe it’s because I don’t want to anymore. Maybe it was the free lunch in my stomach or the business casual in my trunk, or the company-bought gas propelling me around on a tour of a very painful and formative period of my life. Or maybe it’s just the lingering head cold.

There are parts of ourselves we give up with every choice we make; small things that get lost as a life restructures itself. It makes it so that we can’t fit into the person we were before.

I had dinner that night with a new(ish) friend and his family. It was the first time in days I felt like myself again, and I had an amazing time.

Lots of people don’t like LA, but for me, it’s a city that was everything I needed it to be at a time when I needed it to be it. It was where I sat, emptied out from the highways, and forced myself to think about the life I really wanted for myself. And all these years later, I finally think I’m getting close.

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Closedown

Today was a complete bust.

I’ll start off saying this week destroyed me, and I feel a bit befuddled because I walked into it completely unaware. I KNEW this week was gonna be hard just with the sheer amount of shit I needed to get done (both at work and at work after work), but I didn’t want to think about it beforehand because one of those things was two of my closest friends moving to New York (they make an awesome married couple). So I wound up pretending every single thing leading up to it wasn’t really ACTUALLY happening.

Then it happened. Now every bit of me is exhausted.

So I spent a lot of time today watching all of the relationship Kevin Smith movies back to back to back to back (while also getting one of those other things I had to get done done).

It also didn’t help that this morning I stayed in bed to read the last third of Ready Player One.

And now I’m listening to Disintegration.

So let’s see what we’ve got so far: denial, funny nostalgia, painful nostalgia, mopey nostalgia.

That’s usually a good signal to my reptile brain that there’s something I need to start working on if I want to pull myself out of this weird little hole I’ve dug myself into tonight. Thus the Disintegration. I swear, I don’t even have to paint my nails black since they’re the exhaust ports through which the emo escapes my body. The Cure helps facilitate this periodic venting.

In any case I realize I’ve been thinking a lot about friends and relationships lately. No surprises there. I don’t want to get into any of it, really, but saying goodbye is awful. I can see why some people never move. It must be nice to never have to acknowledge the little deaths, the goodbyes that signify the end of a period of your life. Because when people  who deserve their own epochs leave, you feel like you’re losing that part of you they nurtured and helped change. And you sit and worry that the memories you’re left with will be all you ever talk about when you get a chance see them again over coffee because there’s nothing else to talk about.

But I’ve had extremely good fortune to have the people I do in my life. They’re the kind of people I know will always be there with me for the rest of my life. And even though we don’t live in the same cities anymore, it’s only a matter of time before we see each other again. It’s inevitable.

So when I pulled into their driveway to pick up their coffee table to replace my one that was on the verge of collapse (due to a system-wide duct tape failure), I realized it was the last time I’d be pulling into their driveway. And I almost lost it right there in the car.

I had to say goodbye A LOT this past year, and I’m going to have to say it a lot more this upcoming year. And there’s nothing I can do about any of it except keep on plugging away at all of these other things, like reading, slushing, article editing, writing, story editing, band practice, while hopefully squeezing in some errands and some yoga in there somewhere. It’ll make the time fly by until I can see them all again.

At least that’s what I’ll do until the next goodbye in a few weeks.

Posted in Errata | 1 Comment

Help with Hugo nominations

I’m in a rocket-shaped pickle (or a pickle-shaped rocket?):

I have no idea who to vote for on my Hugo ballot.

I’ve got a few things I know I’m putting down, but for the most part, a lot of the categories are going to be blank. It’s not that I didn’t read things last year. It’s just that I didn’t know I was going to decide to go to the Hugos, so I didn’t keep track of things I liked (I’ve already decided to try and be better about this in 2012).

This is where you come in. Are there any stories you felt really strongly about in 2011? Any new authors I might have missed that I should check out before the voting period closes in March? In particular, I need help with the following categories:

  • Best Novel (I didn’t read a lot of new releases last year)
  • Best Novella and Novelette
  • Best Short Story (two slots are open)
  • Best Related Work
  • Best Graphic Story
  • Best Editor (both long and short)
  • Best Artist (professional and fan)
  • Best Fan Writer

I can easily take care of the dramatic presentations, fancasts and the Campbell Award myself.

So. Any ideas?

Posted in Conventioneering | 5 Comments

To publish the unpublishable

I got another rejection for a ridiculous little piece of fiction this morning I’ve been trying to get published for six months. It doesn’t fit comfortably in a lot of markets, and while it isn’t the best story I’ve ever written, it has a lot of aspects that make me hopelessly fond of it. It’s part noir detective story, part my little pony.

I’ve had a hard time with this one because it’s not a sustainable story. I can’t expand it into a longer form because the nature of it is too over the top. The sickly sweetness/hardboildness of it get old really quickly. The thing it has going for it is the contrast, and of I were to expand it, everything would get stale.

It’s a love letter to my love of noir, the three years I spent working in forensic science, and the countless hours in grad school filled with Law and Order in its various incarnations.

So after the latest rejection, I found myself back on duotrope, looking for another place it could go. After twenty minutes, I realized that it doesn’t really fit anywhere else. I was on the verge of trunking it, but thanks to an email exchange with friends today, I instead decided to post it here. After all, artwork for it has already been done, how could I let it just fester on my hard drive?

Even if I had trunked it, it’s made a lot of people laugh, and isn’t the point of a story to entertain above all?

Here’s to hoping it at least makes you smile.

You can read it here.

Posted in Writing | 2 Comments